YOGI AMIR

YOGI AMIR
Yogi Amir

Wednesday, 23 July 2014

Pigeon Pose: Eka Pada Rajakapotasana

Cautions

  • Knee injury, meniscus or ligament injury.
  • Sacroiliac joint injury - due to the opposing action of the legs in this pose which may increase strain across the joint.
  • History of shoulder dislocation - do not progress to holding the top of the foot behind the back (Advanced b below) and use caution reaching behind you for the foot.



Steps

  • Eka Pada Rajakapotasana (aa-KAH pah-DAH rah-JAH-cop-poh-TAHS-anna)
    eka = one
    pada = foot
    raja = king
    kapota = pigeon
  • A progression from intermediate to advanced versions will be given.

  1. From your hands and knees, bring your right knee forward to the floor just behind your right hand.
  2. Outwardly rotate your right thigh so that your right foot is in front of your left knee, shin on a 45 degree angle on the floor. Strongly flex your right foot to align the ankle and shin bone.  The further away the foot is from your knee, the greater the outward rotation in the hip, the greater the challenge.
  3. Curl your left toes under and begin to press the floor away, walking your knee further away behind you until your leg is fully extended with your shin, knee and thigh in contact with the floor. The right knee may come slightly outside of the line of your pelvis
  4. Draw your inner thighs towards each other, slightly lifting your pelvis higher.
  5. Find the middle point where equal weight is between your left and right sides, and your pelvis is squared to the front of your mat.
  6. If your right hip is off the ground, slide your left leg further back first, keeping your hips square.
  7. If the right hip continues to be off the ground use a folded blanket, foam block, or bolster under your right hip for support, keeping the hips square and level.
  8. Uncurl your left toes, looking back to see that your ankle is in line with your shin, and your leg is running in a straight line behind you.
  9. On an inhale, send your tailbone down towards the earth and the crown of your head up towards the sky.
  10. Exhale and slowly walk your hands forward in front of you, placing elbows on the floor or arms extended in front of you with torso on the floor.
  11. Breathe slowly for at least 5 deep breaths.
  12. Slowly walk your hands back up towards your body, placing your hands slightly wider than shoulder width. Send the head of the arm bones back, allowing your upper chest to lift slightly so that the collar bones are broad.
  13. Inhale sending your tailbone down and your crown up, walking your hands closer and closer to the body on an exhale so that the torso is moving towards an upright posture.  Breathe here for 5 breaths or continue with the advanced pose below.
  14. Advanced A - If you are able to painlessly and evenly stay in this posture while removing your right hand from the earth, you may reach your right arm behind you with the palm up.  Draw your lower belly in to stabilize your spine, inner thighs moving towards each other.  Bend your right knee and grasp the flexed foot with your hand. You may stay here and breathe or progress to the next stage.
  15. Advanced A - Point your foot and slowly shift your hand to the toes of the foot by outwardly rotating your arm deeper, slowly lifting the elbow forward, upwards, and eventually backwards so that the palm is facing down.  Press your left support hand into the floor to lengthen your waistline, keeping even weight in the left and right sides of the body. Breathe here or progress to the next stage.
  16. Advanced C - If you are able to maintain your balance and stability draw the lower belly in, move your inner thighs towards each other, lift your left arm up and back, grasping your foot with both hands. Send the head of the arm bone back into the socket, keep the action of your lower belly and legs, and breathe.
  17. Slowly, release your foot, place both palms on the floor and step back to Adho Mukha Svanasana / Downward Facing Dog.
  18. Return to your hands and knees and repeat on the other side.

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